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The People Behind the Feedback

Victorian Skills Authority

How do you make a student survey feel worth someone’s time?​

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Show the people whose experiences it’s there to understand.

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Across successive Student Satisfaction Survey campaigns, Clipo has worked with the Victorian Skills Authority to bring vocational learning experiences into focus through personal stories.

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From Sarah working in a bakery to Russell teaching in a classroom, the films connect training with the places, people and everyday activities it prepares us for.

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Each story also carries a practical invitation: share your experience so others can learn from it.

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Combining direct-to-camera interviews with carefully observed footage of working and learning, we created short films that make a survey campaign feel personal, relevant and grounded in real life.​

At a glance

Student Satisfaction Survey campaigns
Vocational education + training
Student + educator perspectives
Direct-to-camera interviews
On-location workplace + classroom filming
Short campaign films + social formats
Photography + written case-study content
Web / Social / Training-provider communication

The Client Brief

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Give people a reason to have their say.

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The Victorian Skills Authority wanted to raise awareness of its Student Satisfaction Survey and encourage students to participate.

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The campaign needed to reach people with different backgrounds, ambitions and training experiences. It also needed to communicate clearly and quickly across websites, social channels and training-provider communications.

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Previous survey participants offered a natural starting point.

They could explain why they chose their courses, where their skills had taken them and why they felt it was worth giving feedback.

Our task was to turn those experiences into accessible stories with a clear campaign message.

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Our Approach

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Start with a person, then find the connection.

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Before asking someone to encourage others to complete a survey, we wanted to understand their own experience.

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What drew them to their course? What did they learn? How were they using those skills?

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Those conversations gave the films their substance.

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Direct-to-camera interviews create a sense of personal connection, while footage of participants working and teaching puts their words into context. We see the environments, interactions and practical skills behind the training experience.

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The campaign message grows out of that story.

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Built for a short attention span

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Enough room for a person. A clear reason to respond.

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These films have a lot to do in a short time.

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Introduce someone. Establish their experience. Explain why feedback matters. Leave audiences with a clear next step.

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We built the edits around that progression, balancing interview material with purposeful documentary footage and concise branded messaging.

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Across the campaign briefs, short video formats, photography and written stories provided different ways to introduce participants and share their experiences.

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The thread connecting them is simple: people speaking about something they know first-hand.

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DJSIR | Victorian Skills Authority | Russell' Story
00:37
The Department of Jobs, Skills, Industry and Regions (DJSIR) | Victorian Skills Authority (VSA)
00:40

Sarah’s Story

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Training you can see at work.

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Sarah’s film takes us into the working rhythm of a bakery.

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Preparing dough. Handling trays. Moving between benches and equipment.

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These details give the story a tangible connection to her training in bread baking. Rather than relying on an interview to explain everything, we can see her skills in use.

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The film moves between that busy workplace and a simply framed interview, giving Sarah space to speak directly to the audience.

It’s a compact portrait of a person and her working life — with an invitation for other students to reflect on their own experience.

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Russell’s Story

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Learning, teaching and the value of listening.

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Russell brings another perspective.

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Having completed a Certificate IV in Training and Assessment at Box Hill Institute and become a teacher himself, he understands feedback from both sides of the classroom.

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His film pairs a direct-to-camera interview with scenes of him working alongside learners.

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That connection gives the survey message particular relevance: his experience as a student informs the way he thinks about teaching, and the importance of listening to the people being taught.

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The Outcome

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The films give the Student Satisfaction Survey a recognisable human face.

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They show that vocational learning takes place across different stages of life and leads into very different workplaces.

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And they make the invitation to give feedback feel connected to those experiences — something useful to share with the people shaping training for the next students through the door.

 

We acknowledge the Traditional Custodians of the land on which we work and live and recognise their continuing connection to land, water, community and storytelling. We pay our respects to Elders past, present and emerging.

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